Lynda Schlosberg

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Where the Process Creates the Answers

On My Bookshelf

without comments

  • A Brief Tour of Human Conciousness, by V.S. Ramachandran
  • A Field Guide to Getting Lost, by Rebecca Solnit
  • A Guide to Merleau-Ponty’s Phenomenology of Perception, edited by George J. Marshall
  • A New Earth, by Eckhart Tolle
  • Abstract Art (World of Art), by Anna Moszynska
  • Abstract Art, by Mel Gooding
  • Against Interpretation: And Other Essays, by Susan Sontag
  • Art and Objecthood, by Michael Fried
  • Art and Visual Perception: A Psychology of the Creative Eye, by Rudolf Arnheim
  • Artscience: Creativity in the Post-Google Generation, by David Edwards
  • Chromaphobia, by David Batchelor
  • Color in Art, by John Gage
  • Concsiousness Explained, by Daniel C. Dennett
  • Echo Objects: The Cognitive Work of Images, by Barbara Maria Stafford
  • Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses, by Caroline A. Jones
  • Formless: A User’s Guide, by Rosalind Kraus
  • Freud as Philosopher: Metapsychology After Lacan, by Richard Boothby
  • Good Looking: Essays on the Virtue of Images, by Barbara Maria Stafford
  • Insights of Genius: Imagery and Creativity in Science and Art, by Arthur I. Miller
  • Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self, by Steven Z. Levine
  • My Stroke of Insight: A Brain Scientist’s Personal Journey, by Jill Bolte Taylor, PhD
  • On Abstract Art, by Briony Fer
  • Optic Nerve: Perceptual Art of the 1960’s, by Joe Houston
  • Out of Control: The New Biology of Machines, Social Systems, and the Economic World, by Kevin Kelly
  • Painting Machines: Industrial Image and Process in Contemporary Art: Boston University Art Gallery October 30-December 14, 1997, by Caroline A. Jones
  • Paths to the Absolute, by John Golding
  • Phenomonology of Perception, by Merleau Ponty, translated by Colin Smith
  • Pictures of Nothing: Abstract Art Since Pollack, by Kirk Varnedoe
  • Quantum Shift in the Global Brain: How the New Scientific Reality Can Change Us and Our World, by Ervin Laszlo
  • Simulacra and Simulation, by Jean Baudrillard
  • Technoromanticisim: Digital Narrative, Holism, an the Romance of the Real, by Richard Coyne
  • The Artful Eye, by Richard Gregory, John Harris, Priscilla Heard, and David Rose
  • The Book of Nothing: Vaccums, Voids, and the Latest Ideas About the Origins of the Universe, by John D. Barrow
  • The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, by Jonathan Beller
  • The Fabric of the Cosmos, by Brian Greene
  • The Infinite Line, by Briony Fer
  • The Infinte Book: A Short Guide to the Boundless, Timeless and Endless, by John D. Barrow
  • The Optical Unconscious, by Rosalind Krauss
  • The Phenomenology of Merleau-Ponty: A Search for the Limits of Consciousness, by Gary Brent Madison
  • The Sense of Order: A Study inthe Psychology of Decorative Art, by E.H. Gombrich
  • The Shadow of the Object: Psychoanalysis of the Thought Unknown, by Christopher Bollas
  • The Spiritual in Art: Abstract Painting 1890-1985, by Maurice Tuchman
  • Understanding Media: The Extensions of Man, by Marshall McLuhan
  • Virtual Art: From Illusion to Immersion, by Oliver Grau
  • Visual Digital Culture: Surface Play and Spectacle in New Media Genres, by Andrew Darley
  • Ways of Seeing, by John Berger

Written by Lynda

February 7th, 2010 at 3:09 pm

Posted in Books

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