Frequency Tuning

Solo exhibtion at Kingston Gallery, Boston MA, May 1-June 2, 2019.

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Photography by Stewart Clements

Press Release

In her current series of intricately layered paintings, Lynda Schlosberg visually explores the crossing point between physical and nonphysical worlds. Schlosberg’s large vibrant paintings are inspired by both natural and unnatural elements. A multitude of lines and dots evoking satellite images of rivers, trees, glaciers and chasms sprawl across the canvas atop fluid pools of color. The illusion of space pushing in all directions is created by her sensitive use of color, values, and pattern. Schlosberg’s intricate and complex paintings are inspired by quantum theories and philosophies. In the construction of her work she utilizes a process of fragmentation using small repetitive marks to depict an imaginal realm where all natural and unnatural forces collapse into a vibrating energy that can materialize into one of an infinite number of potential realities.

In some paintings dark areas juxtaposed with lighter ones read as solid forms hovering in space, or perhaps the lighter areas appear as cut-outs pushing the dark areas deeper into space. In other paintings the layers appear more flattened and commingled yet still force the eye to decide what is foreground and what is background, often not finding a resolution. In these works the eye becomes a tuning device that leads fluidly back and forth between multiple levels of being. Schlosberg questions whether it’s possible to adjust one’s frequency-tuning abilities to move easily between worlds, or to experience both at the same time, “We experience the world with our intellect and physical senses, yet there is also an invisible sea of energy beyond our awareness that surrounds, connects, and influences us.” Working with both metaphysical principles and philosophical ideas Schlosberg presents her work as a macrocosm where all things are intermingled, out of which anything is possible.


Artist Statement

We experience the world with our intellect and physical senses, yet there is also an invisible sea of energy beyond our awareness that surrounds, connects, and influences us. In this work I explore the crossing point between these physical and non-physical worlds. Is there some sort of barrier, or plane, that separates the two? Is it a chasm to be crossed? A wall to be climbed? A tunnel to pass through or a river to float down? Is it a thin veil that obscures vision? Or is it a hazy state of consciousness that one simply 'tunes into' from one side or the other? And is it possible to adjust one's frequency-tuning abilities to move easily between worlds, or to experience both at the same time?

The paintings in this exhibit are inspired by both natural and unnatural elements. Rivers, trees, glaciers and chasms exert themselves across the canvas atop fluid pools of color and intermingled with a multitude of lines and dots as they organize themselves into various arrangements. Color, values and pattern are all used to push space both backwards and forwards simultaneously. In some paintings dark areas juxtaposed with lighter areas read as solid forms hovering in space, and conversely the lighter areas appear as cut-outs pushing the dark areas deeper into space. In other paintings the layers appear more flattened and intermingled yet still force the eye to decide what is foreground and what is background, often not finding a resolution. The eye becomes the tuning device that leads fluidly back and forth between multiple levels of being and eradicates the simple division into one side or the other.


Paintings in the Exhibition